For the non-geek filmgoer, the term “lens flare” will mean absolutely nothing. But they will know it when they see it.
It’s a photographic technique that causes light to flatten and streak out into a horizon-like pattern that fills the screen. Director (and producer of “Super 8”) Steven Spielberg used them religiously in his earlier films of the ’70s and ’80s, as seen in “Close Encounters of the Third Kind,” “E.T.,” and “Raiders of the Lost Ark,” among others.
“Super 8’s” director, J.J. Abrams, relied on them in his “Star Trek” reboot, but it wasn’t until this latest film that I realized how nostalgic that little cinematic trick made me. Continue reading