‘Nightbreed’ with Simon Bamford

nightbreedposterFilm:
Nightbreed (1990)
Rated: R
Written and Directed by:
Clive Barker
Starring:
Craig Sheffer as Boone/Cabal
Anne Bobby as Lori
David Cronenberg as Dr. Decker
Charles Haid as Cpt. Eigerman
Hugh Ross as Narcisse
Doug Bradley as Dirk
Simon Bamford as Ohnaka
Kim Robertson as Babette

By Count Vardulon

cronenberg mask2Pre-screening memories:  Like many teens, I went through a ‘horror’ phase at around age 13 (that it hasn’t ended yet isn’t the point). It was a common enough occurrence, the kind of thing where you start looking for things to define your rapidly-approaching adulthoood, and set yourself apart from the childish things you imagine you no longer have a use for.

 ugly demonHorror movies are an incredibly socially acceptible way of going about this. Choosing to be scared is something that seems a lot more dangerous than it actually is to a young teen, but has the benefit of being somehting that a child would never do.

I worked my way quickly through the standards of the genre, your Halloweens, Fridays, and Nightmares while remaining largely unimpressed. These are the things that caused me to cover my eyes when the trailers came on in movie theatres? It seemed so ridiculous – they weren’t all that bad. Once the first tier was done with my friends and I started getting a little more random with our choices, which is how I ended up seeing Nightbreed. And wow, was I not prepared for Nightbreed.

The ads has made it seem like just another monster movie, but it certainly wasn’t that – from the early scene of David Cronenberg’s Leather Scarecrow slaughtering a family (including a child!) to a man tearing most of the flesh off of his head with his finger knives, to a trip to a haunted graveyard full of monstrosities that ends abruptly with the main character’s death at around the 20-mintue mark, there wasn’t a moment in the first act of this movie that didn’t have me fascinated and terrified and on the edge of my seat. I’d discovered that horror really could freak you out, and I wanted more of it. This is the movie that led me to find out more about Clive Barker, and see Hellraiser in a local repetory theatres… but that’s a story for another time.

mac tongiht guy

Most recent screening: You may have noticed that in the above recollections of my first viewing I didn’t mention anything after the first twenty minutes of the movie. In point of fact, I didn’t have any memories of the rest of the film, save for a slaughter in a hotel and Cronenberg getting crucified at the end. There’s a reason for that.

Nightbreed is an ungodly mess for most the running time. After the masterfully-paced opening the film bogs down with many, many scenes of lengthy exposition and random nonsense about the monster world and their Jesus-style fated savior. Cronenberg’s always a pleasure to watch, but when he hooks up with a bigoted survivalist sheriff and a group of like-minded rednecks the film goes from being a relatively effective horror film to a supremely muddled holocaust allegory that leads to an overextended war scene that teaches us a valuable lesson – that the Jews would have had a better time of it had there been a few unstoppable armoured killing machines on their side. Of course, that’s true of anything, really.

porcupine chickThat’s not to say that the movie is a complete disaster – there’s a really interesting theme in the film about finding your true face – one character has to pull of his skin to discover what he really looks like, and Cronenberg has to put on a mask to reveal himself. And there’s so much random craziness that it’s hard not to recommend a viewing of the film – the parade of monsters that appear in Midian are impressive, featuring more unique creatures than anything this side of Labryinth. Also on the down side, though, is the film’s score, which is wildly inappropriate for the content of the movie, and borrows far too heavily from Danny Elfman’s other major film of that year, Batman.

If nothing else, seeing this film again succeeded in putting me in touch with the younger, more naïve version of myself that was actually capable of getting scared by movies. It’s also reminded me that I really should start reading Clive Barker’s books, since he seems to have quite an imagination on him, that one.

Download Natsukashi’s ‘Nightbreed’ podcast here

or enter the underworld to listen on our on-site player right here:

simon use this oneOur featured guest: Simon Bamford

Actor/writer/director Simon Bamford is quite the study in contrast. On-screen, he’s collaborated with pal Clive Barker on four occasions — the first two Hellraiser films, Nightbreed and, most recently Books of Blood.

You would hardly recognize Simon as the rather rotund Cenobite Butterball in Hellraiser, a role that he would reprise in the film’s sequel, Hellbound. And even though he would portray another otherworldly creature in Nightbreed, he did not have to endure as many hours in the makeup chair.

Most recently, Bamford was in Barker’s Books of Blood, a piece of fiction that is very personal to him, as he reveals on the podcast. He is currently working on the Nazi zombie film, The 4th Reich with makeup legend Tom Savini.

On stage, Bamford has portrayed everyone from lead Seymour Krelborn in the first UK tour of Little Shop of Horrors to Pip in the Stockholm production of Great Expectations (a role which one him an Actor of the Year award.

Simon also travels the horror festival circuit with his Cenobite buds, including Pinhead himself, Doug Bradley. We are grateful that Simon joined us from acrosss the pond to recollect his time spent on the set of Nightbreed.

For more on Simon, check out his site, SimonBamford.com.

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‘Rawhead Rex’

 

Title: Rawhead Rex
Rated: R
Directed by: George Pavlou
Starring: David Dukes as Howard Hallenbeck
               Kelly Piper as Elaine Hallenbeck
               Niall Toibin as Rev. Coot
               Heinrich von Schellendorf as Rawhead Rex
Tagline: Someone has awakened him. He lives again to feed again.

By Rob Rector (featuring Bo from Last Blog on the Left):

Clive Barker was Shakespeare to an adolescent young sci-fi/horror nerd such as myself. As a young, voracious reader, my bookshelf slowly shed its pre-teen skin – made of volumes of “Black Stallion,” Hardy Boys,” and Jack London adventures – into the darker, more depraved musings of Stephen King. Well-worn paperbacks of “Carrie,” “Christine” and “The Shining” replaced titles like “Black Stallion’s Blood Bay Colt” and “Hardy Boys and Secret of Skull Mountain.”

Pre-screening memories:

Then, I remember reading about “The Damnation Game.”

It was endorsed by none other than the King himself. I remember the cover of the book did not look as threatening as that of the ghostly screaming face of my jaundiced paperback of “The Shining.” Hell, even the ominous shrunken head on the cover of “Hardy Boys: The Clue in the Embers” was more menacing than that of “Game’s” iron mask floating in a cheesy pink mist.

But King proclaimed him to be “The future of horror,” so I had to give him the benefit of the doubt. I had yet to be introduced to his “Books of Blood” series which preceded it, but immediately took a liking to the Faustian riff of a boxer selling his soul for immortality.

This, of course, led to hearing of the first film to be written by the invoker of many a nightmare — “Rawhead Rex.” It blew through theaters like the zephyr, so it was not until video that I was able to watch his monstrous creation in the flesh.. well, in the latex.

Honestly, I recall more the violent-sounding title (the not-so-subtle sexual reference of his name was completely lost on me)and the newspaper ad of the big hulking beast than the film itself. I seem to recall a trailer park getting pretty torn up and a few shots of Rex – looking like an American Gladiator from the Mesozoic period (a Pangaea Gladiator?) — triumphantly holding a severed head in his dirty claws. It had left an impression on me at the time, but I think more for its gory special effects than its haunting imagery.

Oh, and the priest getting pissed on by Rex.

Yes,one of the film’s most notable scenes involves Rex giving a golden shower to a man of the cloth. For what reason I am not all that sure. And I will abstain from any mention of suggesting this film took place in Boston.

Other than that, I got nothing. I have since followed Barker’s written and cinematic works, but never felt the need to view the monster again. And with “Rex” not being released on DVD, I never had the opportunity even when the casual curiosity arose. As mentioned in a discussion with Shelley Stillo for Hellraier, Barker’s work is steeped in sexual and religious overtones, so I know there must have been a number of subtext thoughout “Rawhead” that my young brain was just to underdeveloped to process. This, of course, made me eager to return to “Rex.”

Was Rob “baptized” by the whole viewing experience, or did it leave him all wet? Check out his discussion with Bo from Last Blog on the Left? You can download the podcast right here, or click the player below.

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